Director: Marion Gering
Cast: Miriam Hopkins, Kay Francis, Clive Brook
The director takes an interesting approach to this story by setting it during a 24 hour period in Manhattan. Literally one day, from 11:00pm to 11:00pm. The camera opens the movie with an exterior shot and swings through the window into a posh Park Avenue apartment. A handful of uptight people dressed to the nines are exchanging banalities following the evening meal. All except for one couple: Jim and Fanny Towner — played by Clive Brook and Kay Francis, respecitvely. They are arguing non-stop and it becomes quite clear to the viewing audience that their marriage is an unhappy one. Tired of bickering, the couple doesn’t even go home together. Jim is still thirsty and he’s got numerous squeezes on the side. He staggers down the sidewalk until coming across a speakeasy he frequents. Brook’s character notices the blood on the snowy steps that lead to the door, but Jim shrugs it off and proceeds to take a couple of belts.
Having really tied one on, Mr. Towner decides then to visit his favorite lover: Rosie (Hopkins). She is a chanteuse @ a popular night spot not far away. When Jim arrives at the club, Rosie is in mid-song and the crowd is eating out of her hand. He gets a booth and the singer joins him for cocktails between takes. When the waiter informs the lovers that a man is waiting to see her, Hopkins’ character is irritated but she excuses herself to see who it is. Unfortunately, it’s her no good husband. He is dressed in rags and obviously not doing well for himself. As they talk and argue we understand that Rosie’s been disappointed by this bum over and over again. She refuses to let him come home with her and won’t give him any dough either. Eager to get rid of this embarassment, the singer orders the bouncers to throw him out on his ear. Tony (Regis Toomey) swears he’ll get even.
Aware that her sugar daddy has been overserved, Rosie takes Jim to her home to put him into bed. She helps him with his things and discretely puts him in another bedroom where he passes out. Not long after, Tony breaks into the house and becomes insanely jealous. He knows she’s got another man with her. They struggle all over the home until the brute heaves her onto the bed and begins choking her accidentally while cross examining at the same time. Will her lover be aroused from his stupor in time to intervene? Much of the remaining film plot is fairly lame as Mrs. Towner has an epiphany and realizes that her husband is the only man for her.
Given such a small role relative to the characters Brook and Francis get, Hopkins’ Rosie is unforgettable and she steals the show. The beautiful blonde is easily the most memorable aspect of this picture. She performs two songs exquisitely and her brassy, take-no-guff nightclub singer is one of the best characters in Pre-Code film. A decent copy of 24 Hours isn’t easy to find but if you get the chance to see it, don’t hesitate.
By James White