Year: 1932

Director: Nick Grinde

Starring:Barbara Stanwyck, Regis Toomey, Zasu Pitts, Lucien Littlefield, Clara Blandick, Oscar Apfel

Kitty (Stanwyck) is an orphaned waitress who goes to live with her aunt in a conservative town when her father dies. She earns a certain reputation when she flirts with the male customers. She falls in love with David (Toomey), the wealthy son of an oppressive and snobbish mother who will stop at nothing to separate the young lovers.

Stanwyck played a lot of these good bad girls in pre-code film. She had a line much later in her career in The Lady Eve – “The best ones aren’t as good as you probably think they are, and the bad ones aren’t as bad. Not nearly as bad.” – that seemed to sum up most of her pre-code characters. The girls who have reputations that don’t quite match who they really are. Stanwyck was really fantastic with these kinds of  roles. She managed to be both soft and feisty at the same time. Her outbursts weren’t simply indignant, whey were almost embarrassed, and filled with hurt. Her performance in Shopworn may be like others from her that we’ve seen before, but that doesn’t make it any less good.

Overall, Shopworn is just a well structured, well told pre-code romance. It’s nothing jaw dropping or ground breaking – it’s nearly identical to many other films of this type – but it’s still a solid pre-code treat. Stanwyck has strong chemistry with her leading man that makes their romance believable in all of its stages, from the young and idealistic to the older and cynical. It’s a through-the-years love story, and th performance develop convincingly.

There is one thing about Shopworn that makes it stand out from others of its type. The judgmental rich parent may be a stock character in romances like this, David’s mother is a true terror. One of the most detestable characters I’ve ever seen in a film. Definitely in the running for worst mother ever. If there was anything in this film that brought about passion in me, it was this character, because I hated her so much.

A brilliant pre-code this is bot, but it is a very solid romantic melodrama that uses the conventions of these types of films in and interesting way. And Stanwyck, as always, keeps things fresh.

By Katie Richardson

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