Year: 1932

Director: Jack Conway

Cast: Jean Harlow, Chester Morris, Una Merkel, Lewis Stone, Leila Hymes, Henry Stephenson, May Robson, Charles Boyer, Harvey Clark

Red-Headed Woman is a very simple movie that follows a gold digger named Lillian as played by Jean Harlow as she shamelessly uses her sexuality to try and climb higher and higher. While the movie seemed mediocre to me I could certainly see why some would enjoy it more then I did. My sympathy for her boss and what he goes through as she does everything in her power to ruin his marriage got in the way of enjoying her antics. Some enjoyment comes from seeing such blatant sexuality portrayed in this pre-code film, but the shock value of hearing sex frankly discussed and sexuality paraded so freely in such an old film wears off quickly. It certainly doesn’t make up for the overly simple story line and the stiff acting of the films atypical leading man, played by Chester Morris. The acting highlights were Una Merkel, who plays Lillian’s roommate and best friend and Jean Harlow herself.

Red-Headed Woman is one of the quintessential films that typifies the typecasting that plagued Jean Harlow’s short career. The film also contains some well known scenes and dialogue from Harlow’s career that would have to be included on any reel featuring her most memorable moments. An example being the placement of a key down her blouse.  A key that is a married man’s only hope of getting out of the bedroom she has just locked him in, alone, with her. Another example is a famous line where Lillian asks a store clerk if the dress she is considering buying is transparent and after receiving the reply that it is, eagerly deciding to purchase it.

The film is an interesting look at the lengths a woman so inclined would go to in order to secure status and wealth. My assumption is that the film was meant to be light and fun, a sexual romp on celluloid, if you will, but I couldn’t help but get distracted by the tragedy of Jean Harlow’s character and the mayhem her promiscuous choices cause. I wonder if any women would find any sort of joy out of the portrayal of power a woman wielding her sexuality can have and the influence she can have simply by being beautiful and sexually accessible. My guess is that most women would look down on her and find her inability to be successful in a less demeaning way tragic. It is interesting to see how a woman willing to abandon all self-respect can so easily throw a monkey wrench in the lives of incredibly powerful and influential men. Perhaps I over thought this movie. Those interested in simply seeing a 1930s film that deals candidly with the subject of sex will likely get a kick out of this naughty bit of nostalgia.

Wow, two big birthdays in a row!

Robert Montgomery is just my absolute favorite ever. An amazing actor, a fantastic director, and very handsome man.

Montgomery had a wonderful talent in front of the camera. He could play almost any kind of character in any kind of movie. Romantic melodrama, screwball comedy, even psychological thriller. Montgomery could do it all and he could do it brilliantly.

Sadly, he’s not as remembered today as he should be. He deserves to be remembered among the greats of the 1930s and the 1940s. Nearly all of his films could be considered obscure classics. I’ve seen 54 of his films, but I don’t want to go overkill here. Instead of just listing my favorites, I’m going to do a nice little service for everyone and talk about the rare films that you can get at http://www.freemoviesondvd.com

The Big House (1930) – Montgomery costars with Wallace Beery and Chester Morris in this prison drama. Those of you who are mostly familiar with Montgomery as the suave playboy are in for a treat here, with Montgomery going against the type he would late establish for himself by playing something of a nervous weasel.

The Gallant Hours (1960) – Montgomery directs this war drama starring James Cagney. It’s a really interesting war film, done without battle scenes.

Fugitive Lovers (1934) – Montgomery stars with my favorite of his leading ladies, Madge Evans, in this really sweet road film about an escaped convict and a showgirl who fall in love when they meet on a bus.

Hide-Out (1934) – Montgomery and Maureen O’Sullivan make a really sweet pairing in this unique, but genuine love story about an injured gangster who finds sanctuary with a family on a farm. He falls in love with the sweet daughter. This movie has one of the absolute most romantic scenes of the 1930s.

June Bride (1948) – Not a great film, but it’s pretty fun and Montgomery and Davis have decent chemistry together.

When Ladies Meet (1934) – Definitely not one of my favorite Montgomery films. Kind of dull and the characters are all pretty unlikeable. But you get to see Bob with two of his best leading ladies, Myrna Loy and Ann Harding.

Haunted Honeymoon (1940) – I really enjoy this movie. Robert Montgomery and the completely lovely Constance Cummings play reluctant crime solvers who get sucked into a murder mystery on their honeymoon. A colorful cast of characters and a good romance between its leads makes this movie really fun.

The Saxon Charm (1948) – I still haven’t gotten my hands on this one yet (soon, oh very soon), but it’s available and I think it looks pretty good.

Ride the Pink Horse (1947) – A really brutal noir that doesn’t shy away from violence. Montgomery gives a really good performance, as well as directs.

Inspiration (1931) – This movie doesn’t get enough love. A lot of people say that Montgomery and Garbo just didn’t go well together, I think their restrained, under the surface chemistry was perfect for this movie about repressed love and sexuality.

The Single Standard (1929) – Yeah, I’m cheating on this one. Montgomery is just an extra in this film, but it’s one of my very favorite Garbo movies and everyone should see it.

The Last of Mrs. Cheyney (1937) – Another Montgomery movie that I just downright adore. Joan Crawford was one of his best costars. This is a really fun and unique story about jewel thief Crawford falling for Montgomery, the nephew of her mark.

Letty Lynton (1932) – A fantastic pre-code melodrama with Joan Crawford giving one of her best performances

Faithless (1932) – A beautiful Depression era romance. Bob and Tallulah Bankhead are perfect together. Montgomery gives a really wonderful performance, but this movie belongs to Bankhead.

Fast and Loose (1939) – I’m such a sucker for screwball detective movies, especially when they star Robert Montgomery and Rosalind Russell.

Night Must Fall (1937) – This is probably Montgomery’s best performance. He completely breaks type to play a creepy, tortured, insane murderer.

There you go. freemoviesondvd.com is a wonderful resource. You pay less than $10 for each DVD (and that includes shipping) and these films (and so many others they have) are more than worth it.