074. City Girl (Murnau, 1930)
FW Murnau was a really interesting director. It’s kind of fascinating to compare his other films, like Nosferatu, Faust, and even Sunrise with his 1930 silent film City Girl. On the surface, it’s a very different kind of film. It’s visual style is much simpler than most of his previous efforts (but no less stunning), and it doesn’t have the massive dramatic punch. It’s a much smaller, more intimately set story about love and family and finding your place. Mary Duncan and Charles Farrell (who were fantastic together the year before in Frank Borzage’s The River) play the young lovers who come from two different worlds, and their chemistry manages to carry much of the film.

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