While I didn’t have a lot of time to work on the site over the summer, I did find time to fall completely and totally in love with a sexy little show called True Blood. I’ve always enjoyed vampires, but I am a little bit picky when it comes to the subject. (I find Twilight offensive in so very many ways). But True Blood is just all kinds of awesome. And it made me think about all the great vampire movies that came out of the classic era. Of course there are the well known ones, like Dracula with Bela Lugosi, and the silent masterpiece Nosferatu: A Symphony of Horror. But there are some pretty good vampire movies that aren’t too well known. So, in honor of my True Blood love, and the fact that the second season will be over in less than two weeks, I’ve decided to write about two of my favorite obscure classic vampire films. One lost silent, and its remake.
London After Midnight (Todd Browning, 1927)
Sadly, the only print of London After Midnight was destroyed in a fire in the 1960s. The only material that exists are several publicity shots and a shooting script. This was enough to create a very thorough reconstruction, however.
The film stars Lon Chaney, easily one of the finest actors of the silent era. Really, one of the finest actors in film history. His makeup is, as usual, wonderful, and even through stills you can tell that his character is quite chilling.
The leading man in this movie is Conrad Nagel. Regular readers of this site will know that I’m a huge fan of his. I think that’s one of the saddest things about the loss of this film. Nagel was a wonderful actor, but he’s so little known today, and a lot of his films are lost. It’s just a huge shame that this is yet another of his performances that’s forever gone.
So, even though the film is lost, a very good reconstruction exists. From the shooting script we can see that it has a pretty good story. From its publicity stills, we can tell that it was probably quite creepy. And the presence of Chaney and Nagel assure that the acting was good.
Mark of the Vampire (Todd Browning, 1935)
Mark of the Vampire is a remake of London After Midnight. Being made by the same director, it is apparently an extremely faithful remake, almost shot for shot.
It isn’t a brilliant movie, but I think it’s a lot better than its IMDb rating would have you believe. It’s a little bit hammy, but at the end of the day Todd Browning really knew horror, and despite the ham, the most has a wonderful atmosphere.
It also has an incredible cast. Lionel Barrymore and Bela Lugosi are they big names in this one, and both give good performances. That’s to be expected from them, though, especially Barrymore, who was really never anything but good. The rest of the cast is filled with wonderful character actors. Elizabeth Allan is the female lead, and Lionel Atwill and Jean Hersholt play support.
By Katie Richardson
August 28, 2009 at 2:14 am
Great to see you back, Katie. I enjoyed reading this – I hadn’t realised Lionel Barrymore was ever in a horror film! Judy
August 28, 2009 at 11:19 pm
Good to see you back. I’m totally with you on True Blood, it’s such a fun show. I love how over-the-top it is, how it’s not afraid to be silly and scary and romantic in roughly equal measures.
As for Mark of the Vampire, it’s certainly not a “good” movie, but it somehow manages to be incredibly compelling and entertaining anyway. In its own weird way, it’s almost surrealist in how crazy it is, how random and disconnected its bowdlerized plot is. I wrote about its, uh, unique pleasures a while back here as well.
August 29, 2009 at 6:01 am
Mark of the Vampire sure is strange, and it really makes you wonder how flat out weird London After Midnight really was.
September 6, 2009 at 2:13 pm
Katie: You have come roaring back with this wonderful post. I love Mark of the Vampire. Full stop. No qualifiers needed. Lugosi, Lionel Atwilll, and – of course – Carol Borland – who had a face that could launch a thousand ships bound for Horror Island.
Speaking of Lionel Barrymore doing horror, have you seen Devil Doll? If not, I really must insist. — Mykal