Year: 1934
Director: Norman Taurog
Cast: Bing Crosby, Carole Lombard, Burns and Allen
First, let me say I love Carole Lombard. To Be or Not Be, My Man Godfrey, Mr. and Mrs. Smith, Nothing Sacred…what not to like? When I first heard about the release of the Carole Lombard Collection, a six-film DVD set, I purchased it. The only film I previously seen in the set was Hands Across the Table, therefore, I was looking forward to seeing the rest. Since then, I have watched all except for We’re Not Dressing. Why’s that you ask? Well, in two words, Bing Crosby. I am not a fan and have had a love/hate relationship with his films. Holiday Inn is one of my favorite films to watch around the holiday season and as a Bob Hope fan I love the “Road” pictures yet I generally find Bing’s characters annoying, admittedly, less annoying in these films than in others. To watch We’re Not Dressing I had to look at this as a Carole Lombard film and not a Bing Crosby movie. I know, I know what you’re thinking, it’s the Carole Lombard Collection dummy!
We’re Not Dressing was more a vehicle for Bing Crosby than Carole Lombard who would really come into her own the same year this film was released when Howard Hawks used her in Twentieth Century. The film also stars George Burns and Gracie Allen, Leon Errol and Ethel Merman.
Carol is a wealthy yacht owner named Doris Worthington who is on a cruise to the South Pacific. Along for the ride are two fakes “Princes” Alexander (Ray Milland) and Michael (Jay Henry), both who are after Doris and her money. Doris has trouble choosing between which of these two phonies she wants to marry. Also on board, are sailor and deck hand Steve Jones (Bing Crosby) who has among his duties the responsibility for Doris’ pet bear. Yes, that’s right, a pet bear named Droopy who happens to like hearing Steve sing and he sings a lot! In the first fifteen minutes, Steve/Bing sings three songs. Doris’s Uncle Herbert (Leon Errol) and his man-chasing bride to be Edith (Ethel Merman) are also along the ride. Things take a turn for the worst when a drunken Uncle Herbert loses control of the yacht and it sinks resulting in crew and passengers having to abandon ship. Unknown to her, Steve saves Doris’ life when she is knocked unconscious as she prepares to jump overboard. The survivors end up on an island. Doris has always been served and pampered in her life now has to depend on Steve for survival since he knows how to survive under these more primitive circumstances finding food and building shelters. On the island, they meet George and Grace (Burns and Allen), two botanists living on the island working on their experiments. Of course, love conquers all, and they live happily ever after and Bing sings.
The film is silly for today’s audience and was probably silly for the audience of its day. This is mainly due to too many scenes with the bear. The film is a showcase for Bing, Carole’s role is secondary but she is effective, as always, and a pleasure to watch. The real highlight for me was Burns and Allen who pretty much steal the movie in every scene they are in. Ethel Merman and Leon Errol are also on hand. Crosby fans will love this because he sings quite a bit including two songs directly to the bear.
As I watched the film, it more and more reminded me of an Elvis movie. Then it struck me! The film was directed by Norman Taurog who some thirty years later would direct Elvis in nine films. All he had to do was replace Bing and Carole with Elvis and Ann-Margret and he had We’re Not Dressing…Elvis Style.
By John Greco
June 30, 2008 at 2:38 pm
In his 1953 autobiography, Bing tells some stories about working with Carole Lombard, specifically when he was eating breakfast in a restaurant at the Catalina Island hotel where cast and crew were staying during filming and Carole jokingly called out to him, “Bing — did I leave my nightie in your room last night?” Crosby adored Lombard, which was sort of ironic because at the time she was dating his “rival,” Russ Columbo (who, press reports to the contrary, was on good terms with Bing).
Carole could have worked with Bing two years earlier in a non-musical role in “The Big Broadcast,” but was having a tiff with Paramount and Leila Hyams got the part (http://community.livejournal.com/carole_and_co/53775.html).
June 30, 2008 at 6:49 pm
I knew about Carole’s romance with Columbo at the time but was not aware of “The Big Broadcast” connection. Thanks for the Carole website address. I plan to review a few other films from the DVD collection so pleace check back now and then.
July 1, 2008 at 1:32 pm
Thanks, and I invite you and your readers to visit “Carole & Co.,” which has been up for a little more than a year — and since its inception, we’ve had at least one new entry every day. You’ll find all sorts of information on Lombard, her life and times, people she knew and worked with, memorabilia updates and plenty of rare photographs. Please check us out at http://community.livejournal.com/carole_and_co/
Continued success with your blog.
July 16, 2008 at 10:10 pm
Great blog! I just made my way over from Classic Montgomery…
Out of the DVD boxed set, this was my least favorite film. But Lombard is Lombard and she’s a delight to see in anything.
July 17, 2008 at 6:35 pm
Yep! I never seen Lombard in a film where she is not enjoyable. If you are a Lombard fan you should check out Vincent’s website Carole & Co. listed a couple of comments above.