Director: Paul Sloane
Cast: Franchot Tone, Karen Morley, May Robson, Jack LaRue, Nat Pendleton, Gladys George
Benny (Tone) is returning to his mother after spending time in prison. While he was gone, his mother (Robson) took in their neighbor, Bertha (Morley), whose mother had died. Benny promises Bertha and his mother that his days of crime are behind him and he wants to go straight. But his old friends (LaRue and Pendleton) and his old flame (George) want him to come back into their business.
Straight is the Way is a short and sweet B-picture that’s just a good watch. It’s a very basic film, not outstanding in any way, but not terrible in any way either. The characters in the film are Jewish, and it’s interesting to see a movie about the mob with Jewish characters. The film does have an odd structure. There’s not much of a flow to the story, not much of climax, but it does have a certain pace to it and it’s an enjoyable story.
Tone gives a really solid performance. Not one of his best, but he’s charismatic and it’s fun to see him play a character who’s a little morally ambiguous. Sometimes it’s hard to see where his motivations are coming from, until the love story between Benny and Bertha really starts to blossom. The romance is the strongest aspect of the film. Morley and Tone are a really good pair. Morley is the perfect good girl to Gladys George’s bad girl, and Tone’s growing love for her is interesting to watch as he believes he’s not good enough for her.
And I have to mention the supporting performances from Jack LaRue and Nat Pendleton. LaRue was one of the slimiest actors of the 1930s, and he does his usual good job of playing the bad guy here. And Pendleton is so much fun, as always. Charming, kind of adorable, and funny. He always gives a movie a special kick.
Straight Is the Way certainly isn’t a great movie, but for a 1930s B-picture, it’s a fun way to spend an hour, and the unusual structure is somewhat refreshing.
By Katie Richardson