It’s a pretty tough time money-wise for a lot of people. Unemployment rates are rising, people are getting laid off and losing money left and right. Right now, we’re in recession. But there are a lot of people worried that we’ll soon be in a depression.

This, of course, would not be the first depression. The Great Depression in the 1930s was one of the bleakest times in history. But hey, it produced some great films. Especially some great films set during the Depression. So maybe we should take some tips from these movies on how to get through these rough times.

Tip #1: Find a rich man to keep you
See: Bed of Roses, The Easiest Way, Our Blushing Brides, Possessed
You’re down on your luck. You’re a girl living in a poor neighborhood, you either can’t find a job or you have a really crappy one. But you’re damn pretty, and with the right dress and hair, you could look damn classy.

And hey, here’s a handsome (hopefully) rich guy who likes you. Really likes you. You’re one of the lucky ones now. He like you so much he wants to set you up in a nice apartment so he doesn’t have to go to the bed part of town to see you. Of course he doesn’t want to marry you. He may already be married, or the idea of marriage just doesn’t interest him. But that’s probably a good thing. Why ruin something so simple with marriage?

Now you have a fancy apartment to yourself, an bottomless bank account, and you get to rub elbows with all of your man’s high class friends.

And hey, this is the 21st century. There are plenty of rich, powerful women, so it’s completely possible for a man to find himself a cushy situation like this.

Be careful, though. These situations don’t always end happily. Unfortunately for Constance Bennett in The Easiest Way, she lost the man she really loved when she couldn’t resist the life of luxery. And don’t go thinking this guy’s going to marry you. That idea turned out not too well for Anita Page in Our Blushing Brides.

Of course, you could get Joan Crawford-in-Possessed lucky, attract a handsome rich guy like Clark Gable, fall in love with him, and then have the good fortune of him falling in love with you.

Tip #2: Find a rich man (or woman) to marry you.
See: Red Headed Woman, Mannequin, Platinum Blond
You’re situation is probably pretty similar to the one above. However, finding a rich man to marry you might be a littler tougher than finding a rich man to keep you. Marrying a poor girl takes on some more social implications than just keeping her in a nice apartment and buying her stuff.

So you may have to resort to complete bitchery. Like Jean Harlow in Red Headed Woman. Easily one of the biggest bitches to ever hit the big screen, she did every single thing she had to do to get her rich boss to marry her. Even though he was already married.  Sure, the marriage was absolutely miserable, but she had all the money she wanted.

You may get lucky, though, and find a rich guy who’s just plain infatuated with you, like Joan Crawford found Spencer Tracy in Frank Borzage’s Mannequin. Sure, she didn’t love him at first. But there’s a lesson there in itself. Love will eventually grow.

Of course, it’s entirely possible for a man to marry a wealthy woman. It just doesn’t usually take much scheming. According to Platinum Blond, heiresses like to take on poor, unsophisticated men to see if they can change them. Just for fun. So all you boys have to do is be unsophisticated and put yourself in front of some rich chicks. But, seriously, if you’ve got someone as cute as Loretta Young already in love with you, save yourself the trouble.

Tip #3: Use sex in the workplace
See: Baby Face
The last two options were good options. But of course, you’re a modern woman. Maybe you don’t want to be married or kept. Maybe you’ll only feel complete if you’re working.

Yes, these days it is much, much easier to climb the corporate ladder for women than it was in the 1930s. But it’s still not the easiest thing in the world. Especially right now, when some people are having a hard time finding a job.

So if there’s any time when you shouldn’t feel ashamed to get on your back to get up the ladder, it’s now. You should always use what god gave you. And if he happened to give you some good looks and a fair amount of sex appeal, you should use it.

Just be careful. In Baby Face, Stanwyck got into a few sticky situations doing this very thing. Try to keep the amount of men with whom you exchange sexual favors to a minimum to avoid that.

Tip #4: Crime pays…. to a point
See: Little Caesar, The Public Enemy, Angels With Dirty Faces, Scarface
During the Depression, gangsters were almost treated as heroes in film (and even outside of it). Life was tough. The world, the country, fate, God… these things had taken everything from people. And the gangsters were the ones rebelling against that and taking it back. By any means possible. Sure, they were doing bad things. But they were getting the money they wanted. And in times like these, sometimes that seems like the most important thing.

Without fail, whether it’s Cagney in The Public Enemy and Angels With Dirty Faces, Edward G. Robinson in Little Caesar, or Paul Muni in Scarface, things always go amazingly well for these guys for some time. They climb the ranks and live very comfortably.

So yeah, a life of crime is always going to be dangerous. But unlike the guys in these movies, be smart. Don’t want to much. Once you get to a certain point where you’re living comfortably, let it be. Don’t try to get any higher. And for the love of god, don’t try to take over the organization. That’s the kind of shit that gets you killed.

Tip #5: Turn to prostitution
See: Faitless, Anna Christie, Midnight Mary
Now things are seriously bad. You can’t find a job at all. And the idea of marrying or being kept by a rich man isn’t happening (maybe you just can’t find one, or maybe you’re so much in love with someone poor you can’t bring yourself to leave them). You have no choice. You must turn to prostitution.

Sure, it’s probably the least dignified thing on this list. But when you’re desperate, you’re desperate. You gotta eat. You gotta keep a roof over your head. And maybe like Tallulah Bankhead in Faithless, you have to find some way to pay for your husband’s medication. She got lucky, though. When husband Robert Montgomery found out that she was a prostitute, he was moved by her sacrifice.

Tip #6: Split a nice apartment with some pals
See: Ladies In Love, Beauty For Sale, The Greeks Had a Word For Them, Our Blushing Brides
Probably the easiest option so far. You’re single, you don’t have a lot of money. But you do have two good friends who are in the same situation. So how much easier would it be on all of you to split an apartment!

This can be done just for necessity’s sake, as it was for Joan Crawford, Anita Page, and Dorothy Sebastian in Our Blushing Brides, and Madge Evans, Una Merkel, and Florine McKinney in Beauty For Sale.

But you can also do the three way split in a fancier way. It might require a bit more money, but getting a nicer apartment in a better part of town with three friends could be a bit of a confidence booster, which is always needed in times like these. In Ladies in Love and The Greeks Had a Word For Them, three single ladies (Constance Bennett, Janet Gaynor, and Loretta Young in Ladies, Madge Evans, Joan Blondell, and Ina Claire in Greeks) split nice aparments in nice neighborhoods to make themselves look classier and like they have more money, presumable to attract wealthy men.

Tip #7: Embrace your poverty and realize that love is ultimately what matters
See: Bad Girl, Man’s Castle
Yes, times are indeed tough for you. But they’re tough for most people.

Not everyone loves the idea of trying to find a rich person to take care of them, or turning to crime, or getting on their backs. So they just accepts their circumstances. And sometimes they’re really lucky, because they might have love in their life.

Tenement life blows, obviously. But if you have a husband or wife that you love very much, and a baby on the way, like Sally Eilers and James Dunn in Bad Girl, that becomes more important than everything else, even if there are some bumps along the way.

Even worse than tenement life was life in the Hoovervilles, where families lived in little more than tiny shacks. No matter how bad a living situation might be, look on the bright side like Loretta Young in Man’s Castle does. At least she has a place to live. Add to that the fact that she’s in a (somewhat complicated, admittedly) relationship with Spencer Tracy. Life is difficult, but Borzage films the movie almost like a fairy tale. Their love is so powerful, it can make a little shack seem like a castle.

There you go. Seven tips from the classics on how to get through these tough times.

I’d love it to here any tips you guys can come up with from watching 1930s films!

By Katie Richardson

Year: 1936
Director: Edward H. Griffith
Cast: Constance Bennett, Loretta Young, Janet Gaynor, Paul Lukas, Tyrone Power, Don Ameche, Alan Mowbry, Simone Simon

Three working women decide to rent a large apartment together in a nice neighborhood in Budhapest to impress their male suitors. Yoli (Bennett) is a sophisticated model who wants a wealthy husband. She’s dating John (Lukas), a rich man who’s on an extended vacation, who doesn’t seem interested in marriage. Susie (Young) is a showgirl who falls for a nobleman (Power), and gets her heart crushed when she finds he’s already engaged. Martha (Gaynor) is former nobility whose family lost everything and is now performing odd jobs, like feeding rabbits for Rudi, a handsome psychiatrist. She gets a full time job working for an arrogant magician (Mowbry) and her romantic feeling get all mixed up.

There’s nothing particularly original about Ladies In Love. By 1936, the “three girls share and apartment and deal with complicated love lives” thing was well, well worn. And films like Beauty For Sale and Our Blushing Brides did do it better, though this one is better than The Greeks Had a Word For Them (though this one does lack Madge Evans). It’s not nearly as difficult or depressing as those first two films. It’s much more of a comedy/light romance, and though Loretta Young’s heartbreak does lead to a slightly dark place, in the end it is resolved happily. This film is really much more focused on the love lives of these women, and not so much about the world going on around them, so it is perhaps unfair to really compare it to those superior films.

All three actresses are stellar. It’s really a treat to see Janet Gaynor, Loretta Young, and Constance Bennett pal-ing around, drinking champagne, and dishing on men on the same screen. Bennett plays the sophisticated, probably older, seemingly wiser one with so much presense. Young is, as always, completely delightful playing the naive young showgirl. The bliss of new love is clear on her face, and the heartbreak even moreson. Gaynor is also delightful, completely adorable even nearly 10 years after her star making performance in Seventh Heaven. Her’s is probably the most entertaining side of things. Her scenes with Mowbry are very funny, and her developing romance with Ameche is genuine and very sweet.

The boys don’t really match the girls, but they aren’t supposed to. Paul Lukas has the most screentime, and probably gives the best performance of the men. His storyling with Constance Bennett is a bit heartwrenching, watching them love eachother, feeling like they can’t say it out loud, and he does sell his side of it. Ameche doesn’t get a lot of screentime, but he’s very funny and sweet with what he has. Mowbry is awesome as always, over the top perfection. Tyrone Power probably has the least amount to do, but he looks good doing it.

There is a strange, potentially distrubing twist thrown in when Simone Simon shows up. She’s Lukas’ cousin or niece or something by marriage, and she quite clearly has a massive crush on him. But it’s hard to guage how old she is. She behaves childishly and he treats her as such, and then… well….. they way it turns out is a little bit squicky.

Overall, Ladies in Love is a bit of a missed opportunity as far as the weight of the storytelling goes, but I don’t want to unfairly judge it as something it’s not. As a light comedy, it’s pretty delightful/

By Katie Richardson